top: beer-bench near latter, finnmark - kodak 400 tmy

middle: another chair photo, oslo - ilford xp2 super

bottom: benedicte doing her infamous cross-eye pose - ilford xp2 super

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taken in july. we had indecently long lunches. the old man didn’t seem to mind, though.

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1, 2, 3 : polaroiding in the botanical gardens, grønland, oslo.
4 : van parked by the old ringnes brewery

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so I went ahead and finally got myself a ‘professional’ medium format camera. i’ve been wanting one of those since i first saw the results from my trusty old holga about a year ago or so - the size of the negatives, the detail, the depth of the images, the format itself. i grew addicted.

now, to the camera in question.

the bronica etr-si is a 4.5 x 6 ” medium format camera. i got it (unbelievably cheap) from a professional photographer that has gone 100% digital (a decision i fully respect and understand), and inside the large, retro green bag he handed me i found two 120 film backs, a waist-level finder, the ae-II prism finder, a speed grip motor winder, two focusing screens (split-image and grid lines), a green filter (…) and two lenses - a 50mm 2.8 and a 100mm 4.0 macro.

i love this camera. the glass is perfect, the finders work like a dream, everything is in mint condition except a few scratches from regular use, and the results look brilliant (considering I’m still just a dedicated amateur photographer…)

i think (i think), that this is the last camera i’ll buy for some time. i’m very happy with all the stuff i’ve got right now, and I have to admit i only use 3 or 4 of my cameras on a regular base. i can’t help checking the markets around town when i’m there, but i no longer feel the urge to buy anything …
other than … the polaroid sx-70, if I were to stumble upon it somewhere!

photos coming soon! see you around.

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the hotel riga, where we stayed. the corridors were delightfully creepy. jack would feel very much at home here, methinks.
holga 120 cfn and kodak portra 400 vc.

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little accidents from riga.
shot this may using fuji superia 200 (bought in riga at a silly price) and the trusty ol’ pentax me.

the bottom picture is from an awsome outdoor photo exhibition at the doma square in riga. the original documentary project from 1987 was followed by a “20 years later” edition in 2007. read more about it here. works from the exhibition can be found here.

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“THE PENTAX”

the local sunday market across the river sometimes have a few gems to offer. a few weeks ago we went over there primarily to look for some cheap, cool furniture - which we did by the way - but i also found me another one of those pentax beauties, the pentax mg! it came fitted with a very, very cool 35 - 70mm f2.8 macro lens, a flash, and the sweetest little khaki-colored bag.

the camera set me back only 500 nok (around 95 usd). a bargain!
i’ve so far been completely unable to dig up any information about the lens, because it’s got no manufacturer info on it. although it does resemble the standard pentax lenses, i’m really not sure where it’s made. i’ll keep searching, though. i’ve shot a few rolls already, so watch this space!
 
 

“THE POLAROID”

i also bought myself a polaroid 600 camera from an online marketplace. it’s the impulse autofocus series. the one I bought had a grey body, otherwise it’s exactly as displayed here:

(image by timmy toucan, used under the creative commons attribution-noncommercial-share alike 2.0 generic license)

the only drawback with this baby is that the lens cover is removed only by activating the flash. but hey, it’s not a real big deal, i can always cover the flash to avoid the ugly wash-out look.

i recently gathered a dozen or so polaroid enthusiasts and together we ordered 50 packs of polaroid 600 film from this fantastic seller at ebay. the package has arrived, i’ve done a few test shots, and the camera works like a dream. so: look out for polaroids too!

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taken on a lazy sunday some time in the late spring using my pentax me. it’s a great street shooter, fast and reliable. check out the news section for a little camera update!

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taken during rehearsal, some time this spring. frode fivel w/band:
top left: fredrik (drums, backing vocals)
top right: mikael (piano, organ)
mid left: magnus (guitar, backing vocals)
mid right: frode (vocals, guitar, the man)
low left: andré (bass, backing vocals)

pentax me using kodak tmax 400 and a vivitar 728af flash. can’t remember what lenses were used on which pictures, but these three were in use: 2,8 pentax 40mm, 2,8 vivtar 49mm, 3,8 vivitar 75-205mm.

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i will be redesigning the site to better suit the needs of both my (few) readers and myself.

expect bigger.

seeya.

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random shots from around town.
if you examine the pictures closely (it’s easy on the thumbnails anyway) you can see that there’s a streak of shading in them, approximately 1/4 wide and toward the edge of the frame. i think this is a case of slow shutter curtains in the poor old zenit. on this page, the author sort of brags about the excellence of the mechanics and design of the shutter curtains on zenit cameras, as opposed the leica, for instance. he’s probably right and all. i just happen to own a zenit that has started showing symptoms of age (and/or irregular or rare usage).

zenit 122 and fuji rxp (provia 400).

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oh, and another thing. watch out for my coming addition: the galleries. i’m working on some thematic gallery pages that will consist of collections based on location, theme, repetition, similarity, you name it. doing this may help me think differently about what i’ll shoot next. concepts, connections, analogies and forms, maybe i’ll start doing whole new series or projects this way. it’ll definitely be cool.

see you around.

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ole having a beer, me having a brand new old tlr camera, bought from an antique store. i had beer too of course. a few weeks later the camera broke.

meopta flexaret and ilford 400 hp5 plus.

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holga colors. just can’t dislike them.

fuji pro 400 and kodak portra 400 vc.

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the two pictures on top were taken with the macro converter fitted on what i think was the 105mm f2.4 super takumar lens. can’t remember, but judging by the depth of field here that would be my guess.

the last picture.. well, it was the start of the roll and something happened. cool overlap / double exposure though. i love it when those kinds of things happen.

pentax 67 and kodak portra 400 vc.

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among the very well kept cameras were kodak brownies, a beautyflex, a zenit 12xp and a praktica pentor super tl.

i got the honor of doing test runs on the praktica and the zenit. the praktica had a small problem with the winding mechanism, but nothing that a wiggle and some good karma wouldn’t fix. the zenit went right into shoot mode and had absolutely no objections - well, apart from the focus ring being a bit on the “sticky” side… at least it makes for very precise focusing! the viewfinders are, let’s see, not exactly crystal clear, but what else could one expect from cameras this old? i guess there’s some corrosion in the glass itself. anyhow, i have no problems seeing what i need to see through them.

i’ve loaded the cameras with some fuji slide film because they both have relatively fast lenses (pentacon auto f1.8 / 50mm on the pentor and a helios f2 / 58mm on the zenit) and these guys are fully manual, so i guess getting flawless exposures should be quite easy (knock on wood!). i’m halfway through both rolls now so i guess you can expect some results here soon.

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well, i promised you, didn’t i? here they are, in all their lo-fi beauty: agfamatic 100 pictures. i simply love the colors, the heavy grain and the occasional light leaks. same goes for the weird stripes, dots and improbabilities too. since i got these developed i’ve put the agfamatic right on top of my list of favourite cameras.

taken between january and march this year, using the kooky solaris 200 fg plus 126mm cassette film.

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i found this tiny and wonderful agfamatic 100 pocket camera in the attic back home last christmas. it belongs to my father, and, scrupleless as i am when it comes to borrowing things, it ended up in my bags before i returned to oslo.

a while back i bought some old flash cubes at a market nearby, that i really thought would fit on top of this little gem, but they didn’t. as the camera only takes ISO 200, 126 cassette film, having a some kind of extra light is sometimes crucial.

but all is not lost! my good friend came to me the other day and told me he’d found tons of photographic equipment back home recently. he brought it all to town and as we sat there drooling over all the fantastic old stuff he’d found, to my great surprise i discovered 2 packs of magicubes - the one and only kind of flashcubes that the agfamatic accepts.

stay tuned for agfamatic pictures!

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oh, and as i recall, the scanner i handed in was a canoscan 8600f. the gizmo in the box i picked up today had a big brother in it - the canoscan 8800f. am i happy? i am happy. i’m doing a bunch of scans as we speak. more to come, watch the main space. pii-ho!

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also, a guy selling his mamiya 6 has tempted me into considering selling a relative or two to be able to afford it. it’s a fantastic camera. you can read more about it here. this is the guy that I bought the pentax me from, and he claims the m6 is in mint condition. i have no reason to doubt him. and it’s being sold with a mamiya g 75mm f3.5 and a mamiya g 150mm f4.5. if i get a deal this time too, i’ll never buy another camera, i swear.
 
 
unless it’s a hassy.

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